Time brings with it change, transformation, and instability. In my works, even photography loses its stable form: it alters, fragments, and slowly disappears. By working at the limits of the photographic image, I allow the photographs to undergo natural physical transformations. Their surface becomes a new landscape, a texture that alters the way we observe the subject. The subject is never fixed or definitive, but rather a fragile and shifting presence, ready to transform into something new. A more abstract part of my work arises from processes like those found in nature. In these works, the photographic process is no longer immediate but unfolds slowly over the course of days or months. The images form autonomously through evaporation: paper made from stone powder is immersed in containers of water and pigment; as the water evaporates, it leaves residues and traces on the surface that record the duration of the process. Just as in the natural landscape, where rock is shaped, eroded, and transformed by water, these images also change slowly, forming structures like stalagmites that grow inside a cave.